Showing posts with label Literature. Show all posts
Showing posts with label Literature. Show all posts

Wednesday, June 19, 2013

A Depressing Reading

Not that long ago I got into a spat over Harry Potter books. The argument was over the axiom that "Harry Potter books are great because they got kids to read again." There are at least three things wrong with view:
1. It presumes that kids were not reading before.
2. It presumes that the kids have continued to read after they've finished Harry Potter series.
3. Therefore, the unspoken conclusion goes - thanks to Harry Potter children's literacy rates have gone up.
On the surface, the ever-expanding Kids/Teens/Young Adult sections of your local book store seem to support this conclusion. But from where I am sitting, even this YA boom is more of a desperate attempt to recapture the Harry Potter phenomenon, rather than an indication of a massive surge of reading among the young people. And then there is this NPR article titled "What Kids Are Reading, In School And Out." Please read it.

OK, done? Or did you just read the first paragraph? Did you just scroll to the end, hoping to find the talking points? If you read it through, then you are ahead of most young people I know. "But wait, the conclusion of the article directly contradicts you! The man said 'reading leads to reading' so reading Harry Potter must have led to more reading!" Not so fast, there is no guarantee that a young person will, upon finishing a beloved series, desperately seek out a new series. And even if s/he do, it will likely be on the same reading level, not a more complex one. Thus "Hunger Games", thus "Twilight", thus "I am Number Four", etc. etc. etc. The NPR article above seems to support the conclusion that American young people are reading below expected grade level when they bother to read at all.

Lest you say "Well, it's American public education system! Of course that's the case!", the situation in Canada isn't much better. Here's the conclusions of the International Adult Literacy Survey for Canada, conducted in 1994. This stands out: "[It] is particularly disturbing that a substantial number of Canadian adults scored in the bottom two levels on all three literacy scales. Although over 20% achieved Levels 4 and 5, over 40% were rated at the lower end of the scale at Levels 1 and 2, and of these, nearly 20% were at Level 1. These adults with low literacy skills are likely to see their future economic opportunities further eroded. Canada’s overall literacy ratings were comparable to the United States; however, a high
proportion of our population achieved the lowest level of literacy in all three domains." (by the way, Singapore, Sweden and Finland are consistently the most literate countries in the world) 1994 is three years before the first Harry Potter book hit the stores. Let's suppose that in 1997, the kid reading (or more likely being read to) Harry Potter is 6-10 years old. In 2007, s/he would be 16-20 and would therefore be a potential participant in the International Adult Literacy Survey (people 16 and up are eligible). However, the next IAL survey was administered in 2003, and the next one is due either this year or the next one. However, comparing the 1994 and 2003 IAL survey, a very worrying pattern emerges. Some highlights (find the full report here):
- Nationally, 48 percent of the adult population – 12 million Canadians aged 16 and over– perform below Level 3 on the prose and document literacy scales (about 9 million or 42 percent of Canadians aged 16 to 65). Level 3 proficiency is considered to be the “desired level” of competence for coping with the increasing skill demands of the emerging knowledge and information economy.
- Overall, there has been little change in literacy performance between 1994 and 2003.
- Contrary to expectation, the report finds little improvement in literacy proficiency since 1994. The new survey shows almost nine million Canadians aged 16 to 65 (12 million if Canadians over 65 are included) score below the desirable threshold of prose literacy performance.
- The established patterns of literacy proficiency continue to prevail, with higher performance among the young and the educated.

Hey, that last point is great, right? Young people are continuing to perform higher! Not so fast. The young people growing up in 1994 scored higher that year than the older people that year. But those people who were young in 1994 grew up in time for 2003, so shouldn't their earlier successes carry over into mature adulthood? Apparently not. Huh, that's strange. What it suggests to me is that this pattern will reemerge in the 2013/2014 IALS, and will not show any marked improvement in literacy despite the young people supposedly "reading again". While we are waiting for that survey to be administered and results compiled, evaluated and revealed, we can turn our attention to ALL - Adult Literacy and Life Skills survey. The last one was in 2008, and it uses identical questionnaires, data collection and statistical methodology as IALS, so the results are pretty much comparable. You can find the full report here (scroll to pages 45-46 for the interesting stuff). You'll find Canada lagging only behind Norway and Bermuda for prose reading (so basically reading news and creative writing) and only behind Norway and Netherlands for document literacy rates. That's good news right? Nope, because unlike IALS which is administered on a truly global scale, ALL is administered only in select countries, and when stacked against other countries in the survey Canada is looking pretty good. The problem is that Norway has the lowest literacy rate among Scandinavian countries, and Netherlands isn't doing so hot compared to many of its European neighbours either.

Clearly there has been no progress on the literacy front between 1994 and 2008, Harry Potter or no. Maybe education is to blame? Perhaps, except that since the devastating findings of the 2003 IALS more money, time and effort in education has gone towards raising the reading and literacy levels than anything else, save perhaps various technology-related courses. It's not matter of mismanagement either. There are specialized qualification courses for teaching reading and literacy that many teachers now take. There are many truly talented and intelligent teachers and academics studying and working on the problem. Reading is one of the overall curriculum goals across Canada, fostering reading and literacy is priority number one in most subjects. School libraries have never looked so good. Bookstores are brimming with books for young people. Heck, there are so many books available for free through regular libraries, ebooks, on tablets and phones. So why aren't kids reading more? Didn't they read Harry Potter? Didn't they get the memo that they're supposed to love reading now?!

(OK, sorry I keep ragging on Harry Potter. It's nothing personal, it's just that this is the go-to book that people bring up when arguing that kids are reading again. Back in 1960s it was Dr. Seuss and Sesame Street. Same difference really.)

On to anecdotal evidence and to come back full circle to the NPR article. This year I was blessed with many intelligent, hard-working and genuinely curious students. Vast majority admitted that they do not read books outside of the ones they have to read for school. One student, a pretty intelligent guy, admitted that he did not read any books in the last 3 years, including the ones assigned at school - he relied on Sparknotes, Yahoo Answers, wikipedia, and movies. I have two Grade 12 students, one Grade 11 student, maybe two Grade 9 and 10 students, who I see regularly reading unassigned books for enjoyment, or asking my advice on what would be a good book to read. With one exception they are reading books that are technically below their reading level, but at least they are reading! The rest grumble. Assigning 40 pages to read over the course of a week is a huge challenge. Lord of the Flies proved very challenging to a Grade 9/10 class. Catcher in the Rye was at best skimmed-through by a Grade 11 class. Great Gatsby was challenging to a Grade 12 class. For shits and giggles, after introducing the book I divided the class in groups and asked them to paraphrase and explain in their own words the first three paragraphs of the book (yes, it's the one with the convoluted 'secrets of wild and young men' passage). They couldn't, even though it wasn't written in German or Elizabethan English. Over the last three years I've taught (not counting Shakespeare obviously): Brave New World, Of Mice and Men, The Crucible, 1984, Handmaiden's Tale, Great Gatsby, Lord of the Flies, Frankenstein, All Quiet on the Western Front, The Wars, Oedipus Rex, Antigone, parts of the Odyssey, Huckleberry Finn, Ender's Game, and more. With most students and most of these books I saw the same story. Skim reading at best, heavy reliance on copied notes and Internet, complaints about the book being too challenging, incomprehension of vocabulary (sometimes really frightening gaps!), insistence on constant hand-holding through the book, lack of original thoughts about the book at all. Every year (or semester as the case may be) I conduct a little survey, asking students what they've read last year, what they've read during the summer, how much they read each week, what is their favourite book, and - what did they read when they were 6-10 years old. To that last question the answer is in 90% of the cases - Harry Potter. The answers to the rest of the questions are just depressing.

Monday, June 11, 2012

Unevenly distributed future

I am only 130 pages in "The Makers" by Cory Doctorow (yes, that Cory Doctorow of the blogosphere fame), but it already might be the best book I've read in the last 6 months. No, wait, scratch that - 12 months (Kraken did come just about two years ago). There is a Big Idea on every page, it's bursting with enthusiasm, imagination, and - despite the outwardly bleak post-post-industrial after-the-Crash American setting - even optimistic book. It is crazy, intelligent and incisively funny in the way that Neal Stephenson's "Zodiac" or "Cryptonomicon" (it even deals with similar themes of entrepreneurship, startups, business ethics, futurism, social implications of technology, and wild crazy adventure), or Stross' Halting State were. I will have more to say about "The Makers" when I finish it, but at this current pace it'll be quite soon - I literally had to force myself to put it down today. Errrr, the students can do pre-exam review on their own, right?


P.S. Why so many links in this post to Amazon? No, I'm not shilling for Amazon (although if you're from Amazon and want to give me money I will not say no), but if you have not read any of these books you need to order them right now from Amazon, or your nearest public library, or your nearest mIRC portal and then put your life on hold until you read them!


P.P.S. Doctorow's book is already inspiring me to rant on a few topics. Expect more activity as the school year winds down and my free time goes up. Some of the upcoming topics may include:
- what will happen if all personal debt was erased overnight
- the new model of education
- political revolutions in fantasy
- lessons from this teaching year
- my European vacation!

Thursday, February 9, 2012

Literary love and hate

I wonder how many English teachers genuinely like the novels they teach. How many of us actually enjoy some (or even all) of the literature we teach? How many would prefer to teach the books they actually like? How many would trade Shakespeare for Danielle Steel, George Orwell for G.R.R. Martin, Scott Fitzgerald for Stephen King? I wonder how many of my own teachers taught what they did because they had to, or because they thought it was important, rather than because they actually thought that their material was actually good.

Personally, I selected for the most part the books that I consider somehow important first, and enjoyable second. It's a cop-out I know, but I do genuinely believe that some books are important, that they inform the reader of something greater than they would otherwise be aware of. In many cases I would say that I also enjoy the book on some level. "Hamlet" is amazing and I never get tired of teaching it. "Brave New World" was both funnier and interesting to teach than I expected (I hated the book in high school). "Fight Club" is still as ever my favorite but was very difficult to teach effectively (if anything I would say that I failed to teach it effectively). But I have to say that I strongly dislike "Catcher in the Rye" even as I acknowledge its important. Same goes for "Frankenstein" and "Of Mice and Men". I intensely dislike "Great Gatsby" and I rather think it's vastly overblown.

Pondering about the books we teach, I'm beginning to strongly suspect that the books on the curriculum are not there really because of their supposed greatness, or as examples of great prose, but because most books on the curriculum are easy to teach. They're easy to take apart and put it back together and show the students how it all works on the inside. It might possibly make many English curriculum books useful for developing student skills, but it can also make the English classroom that much duller.

Tuesday, April 12, 2011

Ad Astra

http://www.ad-astra.org/ is a yearly sci-fi/fantasy/horror/speculative fiction convention, focusing especially on literary side of these genres of fiction rather than celebrating the fandom (although there was quite a lot of that going on as well). This was my first year at Ad Astra and it was overall a very positive learning experience. Every humanities student/afficionado dreams that one day s/he will get published, become famous, and add to the field, and in this respect I am no exception. As a result I was particularly in Ad Astra not just as a venue to meet some of my favourite authors (although I have met a few), but also as an opportunity to learn more about how to write, how to edit, how to make connections, and how to get published. In this respect Ad Astra was a humbling yet necessary lesson.

What does it take to be a published author? Patience, self-discipline, and lots of masochism. The pay is lousy, the rejections plentiful, the angst and self-doubt always lurk around the corner, and one's work is always on a verge of being castrated (whether for good or ill) by the editors. Even getting published once is no guarantee that the lightning will strike again. One of the loudest messages was how few new authors succeed in getting published a second time, let along third or tenth. Yet Ad Astra also demonstrated first-hand how emotionally and socially rewarding being an author can be. There are the fans of course and the signings, but there is also a tremendous spirit of camaraderie and excitement, and even just being around the scene for a couple of days provided an enormous intellectual stimulus.

Some other highlights of Ad Astra included meeting some of my favourite authors (Eric Flint, Ed Greenwood), meeting many Canadian authors who I've never heard of before, but now I'm eager to read. The panel discussions were for the most part very interesting and fun. The atmosphere was quite intimate and the authors had very easily engaged with the audience for the most part. I particularly enjoyed the panels on: Medieval Martial Arts (which was more of a history panel than a demonstration, plus I won a sword in trivia!), Post-Medieval Fantasy, Getting Your First Novel Published, Publishers: A View From the Other Side (really fun and instructive workshop on crash-editing). I also had the pleasure of going to an excellent storytelling session, and a panel where the authors read some of their own work. At one panel the panelists were sufficiently impressed with my question that in half-jest they'd invited me to join them (I declined them this year).

There was some ugliness as well. There was perhaps more self-promotion by a few authors (really a minority) that I appreciated. There were also some rather cringe-worthy displays of fan enthusiasm and fawning. The really loud post-dance party that was going on was very annoying to try and sleep through. Finally I think that Steampunk movement is plateauing. It was really noticeable this year and was on display everywhere. The effect, however, was not charitable. It has begun to seem cliche, passe, and mechanical and unimaginative in its execution. The costumes were well-executed, but the designs have really started to seem more and more uniform. The 'punk' in Steampunk is supposed to represent the counter-cultural elements in 'Steam', but as it often happens with counter-cultural the external appearance can sublimate the real ideas within. But more on that in a different post I guess.

Still, Ad Astra - well worth it! Definitely going next year!

Thursday, February 10, 2011

Brief musings on fantasy and sci-fi today

What I've come to realize is that for the most part sci-fi and fantasy writers depend on certain tropes and styles of writing and rarely step outside of those tropes and styles to examine other types of fiction. Patrick Rothfuss writes very well, but what sets "Name of the wind" from most other fantasy and has distinguished him so much among the fans of fantasy fiction is not the originality of his world (because it's hardly original), but how he writes. He exposes the typical sci-fi/fantasy fiction reader to styles and tropes that are not typical to these genres, therefore setting himself apart and appearing original. Same reason I suspect that Mieville has had to much success.

While Rothfuss looks to autobiographical/storytelling styles of fiction, Mieville looks to Pahlaniuk's urban fiction/stream of consciousness/minutae OCD style. Neither are found in sci-fi/fantasy very often, and thus both appear as a breath of fresh air.the styles and tropes in mainstream fiction have changed a lot since then. And personally I find that far too many sci-fi authors are still writing like Asimov and Clarke and Heinlein and Vance were still alive (which would have been bold and original - and was - back in the day), while too many fantasy authors write quite blandly. Rothfuss, Mieville, Stross (I'm talking about his more out-there books rather than Laundry Files books), Vance, Gaiman, Susanna Clarke, Ursula LeGuin, and several others look outside of the established sci-fi/fantasy/horror mielieu for different styles and tropes. That's what differentiates them from yet more "elves with swords" or yet another "military space opera with blasters and FTL travel and aliens" (here's looking at you Tanya Huff) that cram bookstore shelves.

Sunday, January 23, 2011

Winter Road

Because the world needs more crappy poetry!

Between lucidity and dreams
Brief snatches of the hidden sun.
White nothing stretches on ahead
Dead orchards stand waiting for spring
What I can hear is a snippet of another life
Their parties, jobs, and worries are sparrows
Lost and huddled in the plunging of singular warmth
Through tusks and beards of the winter forest.